Ilene PROCTOR
INTERNATIONAL PUBLIC RELATIONS
Press Contact, Ilene Proctor
310 858 6643 – email proctor@artnet.net
Ilene Proctor and City Lights Publishers Present
Number 46 in our Great Mind Series
Authors: Elizabeth Gould and Paul Fitzgerald
Crossing Zero
The AfPak War at the Tu rning Point of American Empire
Moderator: Byron De Lear
Author, media producer and twice former US House candidate. Byron currently chairs two clean energy organizations, and the Euphrates Institute, a think-tank promoting dialog and understanding between the Middle East and West.
When: Tuesday, April 5th
Time: 7: 00 PM
Fee: $20.00, $15.00 for PDLA Spread knowledge- tell your friends
Hosts: Cheri and Naran Shanker
Address Upon RSVP
RSVP: proctor@artnet.net
tel: (310) 858 6643
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Great Minds is also proud to present the world famous artist Rebecca Setareh, creator of sculptures of incrédible power and impact for their unique strength and beauty. Rebecca received her Bachelor's in Fine Arts from the Institut des Beaux-Arts St. Luc in Liege, Belgium. .Rebecca achieves the creation of an almost surreal dreamscape, where her figures tell their own stories. A portion of the sale of of her sculptures will benefit an Afghan charity.
for more information please visit her website www.artofrebecca.com
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Crossing Zero details the Obama administration’s evolving military and political strategies and its struggle to gain an edge against a fierce and relentless enemy. Packed with information to help readers navigate the labyrinth of events leading the u.s. deeper and deeper into Afghanistan, the authors also provide an unflinching critique of the long-term consequences for u.s. world military dominance, and for the stability of the region. Gould and Fitzgerald present a clear and unsparing portrait of how u.s. militarism has worked against our own interests in the AfPak war, and fresh ideas about what can be done to change course before it’s too late.
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Available NOW!
Crossing Zero: The AfPak War at the Turning Point of American Empire |
"No border," write Gould and Fitzgerald, "has been more contentious than the one today separating Pakistan from Afghanistan, known as the Durand line but referred to by the military and intelligence community as Zero line." The war in Afghanistan has become the most complex foreign policy problem the United States has ever faced, spreading into Pakistan and involving the conflicting interests of Russia, India, China and Iran.Crossing Zero focuses on the nuances of the Obama administration's evolving military and political strategy, those who have been chosen to implement it, and the long-term consequences for the U.S. and the region. A clear, well-researched and easy-to-read analysis of the spiraling U.S. war in Afghanistan/Pakistan.
Praise for Crossing Zero:
“A ferocious, iron-clad argument about the institutional failure of American foreign policy in Afghanistan and Pakistan.”
— Daniel Ellsberg
"Paul Fitzgerald and Elizabeth Gould have seen the importance of the 'Great Game' in Afghanistan since the early 1980s. They have been most courageous in their commitment to telling the truth—and have paid a steep price for it. Their views have never been acceptable to mainstream media in our country, but they deserve accolades. If only our establishment had listened to them."
Author Biography
Paul Fitzgerald and Elizabeth Gould, a husband and wife team, began working together in 1979 co-producing a documentary for Paul's television show, Watchworks. Called, The Arms Race and the Economy, A Delicate Balance, they found themselves in the midst of a swirling controversy that was to boil over a few months later with the Soviet invasion of Afghanistan. Their acquisition of the first visas to enter Afghanistan granted to an American TV crew in the spring of 1981, brought them into the middle of the most heated Cold War controversy since Vietnam. But the pictures and the people inside Soviet occupied Afghanistan told a very different story from the one being broadcast on the evening news.
Following their exclusive news story for the CBS Evening News, they produced a documentary (Afghanistan Between Three Worlds) for PBS and in 1983 they returned to Kabul for ABC Nightline with Harvard Negotiation project director Roger Fisher. They were told that the Russians wanted to go home and negotiate their way out. Peace in Afghanistan was more than a possibility. It was a desired option. But the story that President Carter called, "the greatest threat to peace since the second World War" had already been written by America's policy makers and America's pundits were not about to change the script.
As the first American journalists to get deeply inside the story they not only got a view of an unseen Afghan life, but a revelatory look at how the US defined itself against the rest of the world under the veil of superpower confrontation. Once the Soviets had crossed the border into Afghanistan, the fate of both nations was sealed. But as Paul and Liz pursued the reasons behind the wall of propaganda that shielded the truth, they found themselves drawn into a story that was growing into mythic dimensions. Big things were brewing in Afghanistan. Old empires were being undone and new ones, hatched. America had launched a Medieval Crusade against the modern world and the ten year war against the Soviet Union was only the first chapter.
It was at the time of the first World Trade Center bombing in 1993 when Paul and Liz were working on the film version of their experience under contract to Oliver Stone, that they began to piece together the mythic implications of the story. During the research for the screenplay many of the documents preceding the Afghan crisis were declassified. Over the next decade they trailed a labyrinth of clues only to find a profound likeness in Washington's official policy towards Afghanistan - in the ancient Zoroastrian war of the light against the dark - whose origins began in the region now known as Afghanistan. It was a likeness that grows more visible as America's involvement deepens.
Afghanistan's civil war followed America's Cold War while Washington walked away. A new strain of religious holy warrior called the Taliban arose but no one in America was listening. As the horrors of the Taliban regime began to grab headlines in 1998 Paul and Liz began collaborating with Afghan human rights expert Sima Wali. Along with Wali, they contributed to the Women for Afghan Women: Shattering Myths and Claiming the Future book project. In 2002 they filmed Wali's first return to Kabul since her exile in 1978. The film they produced about Wali's journey home, The Woman in Exile Returns,gave audiences the chance to discover the message of one of Afghanistan's most articulate voices and her hopes for her people.
In the years since 9/11 much has happened to bring Paul and Liz's story into sharp focus. Their efforts at combining personal diplomacy with activist journalism is a model for restoring a healthy and vibrant dialogue to American democracy. Ultimately Invisible History: Afghanistan's Untold Story lays bare why it was inevitable that the Soviet Union and the U.S. should end up in Afghanistan and what that means to the future of the American empire. Crossing Zero The AfPak War at the Turning Point of American Empirewill lay out the bizarre and often paralyzing contradictions of America’s AfPak strategy by clarifying the complex web of interests and individuals surrounding the AfPak war and focusing on the little understood importance of the Durand Line to any resolution to the Afghan conflict.
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